This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the “acoustic era” of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.
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Language: en
Pages: 500
Pages: 500
This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the “acoustic era” of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South
Language: en
Pages: 500
Pages: 500
"This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by
Language: en
Pages: 352
Pages: 352
In charting the life and times of Gordon Stretton, this text makes a major contribution to both jazz and popular music studies. By asking historians to re-evaluate the contributions made to the development of jazz by those “other than” African Americans, it proposes new jazz histories emanating from pathways, influences
Language: en
Pages: 224
Pages: 224
A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to
Language: en
Pages: 182
Pages: 182
Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio