Oscar winner Guillermo del Toro is one of the most prolific artists working in film. His directorial work includes Cronos (1993), Mimic (1997), The Devil's Backbone (2001), Blade II (2002), Hellboy (2004), Pan's Labyrinth (2006), Hellboy II (2008) and Pacific Rim (2013). He has also worked extensively as a producer, with several screenwriting credits to his name. As a novelist he coauthored The Strain Trilogy (2009-2011), which he also developed into a television series for FX in 2014. Del Toro has spoken of the "primal, spiritual function" of his art, which gives expression to his fascination with monsters, myth, archetype, metaphor, Jungian psychology, the paranormal and religion. This collection of new essays discusses cultural, religious and literary influences on del Toro's work and explores key themes of his films, including the child's experience of humanity through encounters with the monstrous.
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Language: en
Pages: 216
Pages: 216
Oscar winner Guillermo del Toro is one of the most prolific artists working in film. His directorial work includes Cronos (1993), Mimic (1997), The Devil's Backbone (2001), Blade II (2002), Hellboy (2004), Pan's Labyrinth (2006), Hellboy II (2008) and Pacific Rim (2013). He has also worked extensively as a producer,
Language: en
Pages: 176
Pages: 176
An engaging and in-depth examination of the work of Guillermo Del Toro, one of the most revered directors working in modern cinema.
Language: en
Pages: 688
Pages: 688
Two novels of the west from Peter Brandvold in one volume! “Chock-full of adventure, romance, western lore, and villains that will make your blood run cold.”—Jory Sherman on Dakota Kill In Dakota Kill, Mark Talbot, veteran of the Apache Wars, returns home to discover that his brother was murdered and
Language: en
Pages: 288
Pages: 288
After a seven year absence, veteran of the Apache Wars Mark Talbot returns to the Dakota Territory to reunite with his brother on their family's cattle ranch to find some peace after fighting and bloodshed for over half of a decade. But when he returns, peace isn't what he finds.
Language: en
Pages: 231
Pages: 231
The Migration and Politics of Monsters in Latin America proposes a cinematic cartography of contemporary Latin American horror films that take up the idea of the American continent as a space of radical otherness, or monstrosity, and use it for political purposes. The book explores how Latin American film directors