As Czech comic culture gains momentum in the new millennium, artists and fans are starting to excavate the country's rich comics heritage. This richly illustrated volume presents the first survey of Czech comics, from the early twentieth century to the present. The story begins with "Koule," the first comics magazine in Czechoslovakia, which ran from 1926 to 1928, and which included Antonin Burka's fashionably dressed dandy character Skulifinda, Otto Messmer's "Kocour Felix" (an adaptation of Felix the Cat) and, most famously, "Adolf," Ladislav Vlodek's tales of the adventures of a young boy, which was partly inspired by early American comics. "Koule" was succeeded by "Punt'a" (1935-42), but after the war there followed a fallow period, which was brought to a halt by the arrival of "Ctyrlistek" in 1969--Czechoslovakia's longest-running comics magazine. Following the liberalization of social conditions in the mid-1980s, "Kometa" published adventurous works by Jan Patrik Krasny, Marko Cermak, Vladimir Tucapsky and Jan Stepanek, as well as earlier work by Kaja Saudek. Starting in the mid-1990s, a slew of magazines began to add critical mass to this burgeoning culture, among them "Crew," "Aargh " and, mostly recently, the alternative comic magazine "Kix ." The detailed essays throughout the book are in English, while the comics, reproduced in the original, remain in Czech.
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Language: en
Pages: 350
Pages: 350
As Czech comic culture gains momentum in the new millennium, artists and fans are starting to excavate the country's rich comics heritage. This richly illustrated volume presents the first survey of Czech comics, from the early twentieth century to the present. The story begins with "Koule," the first comics magazine
Language: en
Pages: 704
Pages: 704
Comic book studies has developed as a solid academic discipline, becoming an increasingly vibrant field in the United States and globally. A growing number of dissertations, monographs, and edited books publish every year on the subject, while world comics represent the fastest-growing sector of publishing. The Oxford Handbook of Comic
Language: en
Pages: 210
Pages: 210
This book draws on wide range of inspirations to provide a well-balanced picture of the popular culture and subcultures of Czech post-socialism. What were the continuities and discontinuities of the post-socialist popular culture, mentalities and society during the period of late state socialism? What were the different mechanisms of ‘creating
Language: en
Pages: 290
Pages: 290
Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of
Language: en
Pages: 472
Pages: 472
This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field. Essays examine: the history of the temporal,